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It's never just because there's always a reason behind it.' Release If I do that, there's always a thematic reason for it. But there's always a reason for the connections. It's for fun let's just see if they notice, and they do. On using the references, Giacchino said 'At some point, you put it out there.

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Giacchino had stated some of his easter eggs, referencing the score he did for his earlier films, including Star Trek, the television series Lost (2004–2010) and the video game Medal of Honor (2013). He also faced several challenges during recording, with woodwinds had to be placed in plastic boxes in front of them and brass instruments being surrounded in plastic shower curtains, as a result, 'the musicians could not hear each other while recording or even notice their body language'. By this, Giacchino took about 15–18 days on working on the score, as normally, he would finish scoring for a film within 5 days. The musicians had to be separated by 6 to 10 feet distance while recording, and had to manually record the score on a day basis. Giacchino had to record the orchestral pieces separately, as he could not bring the ensemble together due to lockdown restrictions. The recording was split into multiple sessions. 39 vocalists from Los Angeles Master Chorale and 89 musicians from the Los Angeles Philharmonic Orchestra, worked on the choral and orchestral pieces used in the score. The scoring was held at the Eastwood Scoring Stage and Newman Scoring Stage in Los Angeles, mostly during the COVID-19 lockdown period in late-2021. Through this score, he wanted kids in the current generation to experience the way, he had during his childhood. Speaking to Cynthia Vinney of Looper, Giacchino opined that creating the film score was more about thinking about the science-fiction and adventure movies that he grew up loving. He stated the score is a blend of all the space opera films and television shows, including Star Trek, Star Wars and Alien franchise. It eventually marked his first Toy Story-based theatrical feature, after previously scoring for the television specials based on the franchise, Toy Story of Terror! (2013) and Toy Story That Time Forgot (2014), the former was directed by Angus MacLane, and is the second time, Giacchino eventually scored for an instalment that was previously composed by Randy Newman after Cars 2 (2011). On January 25, 2022, Michael Giacchino was announced to compose the film's score. Giacchino, on creating the theme for Lightyear It was a fun challenge to go for it and create something fun that came truly from my 12-year-old heart.'

It was the real Buzz Lightyear, so we were able to take it in directions that might not have, had we'd been dealing with the actual toy Buzz Lightyear, which is a very different character whom I love as well and who was lucky enough to have had Randy Newman write all his music for him, because Randy is one of the best. It was a different world for that character. 'Even though it was with a character that we knew, it was a different version of that character.

2022.09

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